Bach Bibliography Search Result

Series : ^[ce]BaroqueComposers$
Year : 2011
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Schulze, Hans-Joachim	Johann Christoph Bach (1671-1721), 'Organist und Schul Collega in Ohrdruf', Johann Sebastian Bachs erster Lehrer Repr. from Bach-Jahrbuch, lxxi (1985), pp. 55-81.	[ce]BaroqueComposers			2011	3-29
	2.	Junghans, Wilhelm Ch.	Johann Sebastian Bach als Schüler der Partikularschule zu St. Michaelis in Lüneburg, oder Lüneburg eine Pflegstätte kirchlicher Musik. Repr. from Programm des Johanneums zu Lüneburg, Ostern 1870, Lüneburg, pp. 1-42.	[ce]BaroqueComposers			2011	31-74
	3.	Minear, Paul S.	The Musician Versus the Grammarian: An Early Storm Warning. Repr. from The Bible and the Historian: Breaking the Silence about God in Biblical Studies, Nashville: Abingdon Press (2002), pp. 25-36; 264-265.	[ce]BaroqueComposers			2011	75-86
	4.	Buelow, George J.	In Defence of J. A. Scheibe against J. S. Bach. Repr. from Proceedings of Royal Music Association, ci (1974-75), pp. 85-100	[ce]BaroqueComposers			2011	87-102
	5.	Trautmann, Christoph	J. S. Bach: new Light on His Faith. Repr. from Concordia Theological Monthly, xlii/2 (1971), pp. 88-99	[ce]BaroqueComposers			2011	103-114
	6.	Leaver, Robin A.	Motive and Motif in the Church Music of Johann Sebastian Bach. Repr. from Theology Today, lxiii/1 (2006), pp. 38-47.	[ce]BaroqueComposers			2011	115-124
	7.	Dürr, Alfred	Zum Wandel des Bach-Bildes. Zu Friedrich Blumes Mainzer Vortrag. Repr. from Musik und Kirche, xxxii/4 (1962), pp. 145-152.	[ce]BaroqueComposers			2011	127-134
	8.	Blume, Friedrich	Antwort von Friedrich Blume. Repr. from Musik und Kirche, xxxii/4 (1962), pp. 153-156.	[ce]BaroqueComposers			2011	135-138
	9.	Mendel, Arthur	Persönliches zur Geschichte der Jüngeren Bach-Forschung. ('A Personal Message Concerning the History of Recent Bach Scholarship'). Repr. from Bach, xx/3 (1989), pp.6-14.	[ce]BaroqueComposers			2011	139-147
	10.	Herz, Gerhard	Yoshitake Kobayashi's Article 'On the Chronology of the last phase of Bach's Work - Compositions and Performances: 1736 to 1750' - An Analysis with Translated Portions of the Original Text'. Repr. from Bach, xxi/1 (1990), pp. 3-25.	[ce]BaroqueComposers			2011	149-171
	11.	Dürr, Alfred	Bach's Chorale Cantatas. Repr. from Johannes Riedel (ed.), Cantors at the Crossroads. Essay on Church Music in Honor of Walter E. Buszin, St.Louis, Missouri: Concordia Publishing House, (1967), pp. 111-120.	[ce]BaroqueComposers			2011	175-184
	12.	Hobohm, Wolf	Neue 'Texte zur Leipziger Kirchen-Music'. Repr. from Bach-Jahrbuch, lix (1973), pp. 5-32.	[ce]BaroqueComposers			2011	185-212
	13.	Häfner, Klaus	Der Picander-Jahrgang. Repr. from Bach-Jahrbuch, lxi (1975), pp. 70-113.	[ce]BaroqueComposers			2011	213-256
	14.	Scheide, William H.	Bach und der Picander-Jahrgang - Eine Erwiderung. Repr. from Bach-Jahrbuch, lxvi (1980), pp. 47-51.	[ce]BaroqueComposers			2011	257-261
	15.	Häfner, Klaus	Picander, der Textdichter von Bachs viertem Kantatenjahrgang. Ein neuer Hinweis. Repr. from Die Musikforschung, xxxv/2 (1982), pp. 156-162.	[ce]BaroqueComposers			2011	263-269
	16.	Scheide, William H.	Eindeutigkeit und Mehrdeutigkeit in Picanders Kantatenjahrgangs-Vorbemerkung und im Werkverzeichnis des Nekrologs auf Johann Sebastian Bach. Repr. from Bach-Jahrbuch, lxix (1983), pp. 109-113.	[ce]BaroqueComposers			2011	271-275
	17.	Mendel, Arthur	Traces of the pre-history of Bach's St. John and St. Matthew Passions. Repr. from Walter Gerstenberg, Jan La Rue and Wolfgang Rehm (eds), Festschrift Otto Erich Deutsch zum 80. Geburtstag am 5. September 1963, Kassel: Bärenreiter (1963), pp. 31-48.	[ce]BaroqueComposers			2011	277-294
	18.	Wolff, Christoph	'Et Incarnatus' and 'Crucifixus': The Earliest and Latest Settings of Bach's B-minor Mass. Repr. from Yo Tomita and Tanja Kovacevic (eds), International Symposium: Understanding Bach's B-minor Mass. Discussion Book 2: Resource Book, Belfast: School of Music and Sonic Arts (2007), pp. 357-367.	[ce]BaroqueComposers			2011	295-305
	19.	Dadelsen, Georg von	Friedrich Smend's Edition of the B-minor Mass by J. S. Bach. Repr. from Yo Tomita and Tanja Kovacevic (eds), International Symposium: Understanding Bach's B-minor Mass. Discussion Book 2: Resource Book, Belfast: School of Music and Sonic Arts (2007), 404-424.	[ce]BaroqueComposers			2011	307-327
	20.	Kobayashi, Yoshitake	Universality in Bach's B Minor Mass: A Portrait of Bach in His Final Years. Repr. from Yo Tomita and Tanja Kovacevic (eds), International Symposium: Understanding Bach's B-minor Mass. Discussion Book 2: Resource Book, Belfast: School of Music and Sonic Arts (2007), 387-403.	[ce]BaroqueComposers			2011	329-345
	21.	Dürr, Alfred	Zur Parodiefrage in Bachs h-Moll-Messe: Eine Bestandsaufnahme. Repr. from Die Musikforschung, xlv/2 (1992), pp. 117-138.	[ce]BaroqueComposers			2011	347-368
	22.	Schulze, Hans-Joachim	The Parody Process in Bach's Music: An Old Problem Reconsidered. Repr. from Bach, xx/1 (1989), pp. 7-21.	[ce]BaroqueComposers			2011	369-383
	23.	Leaver, Robin A.	Parody and Theological Consistency: Notes on Bach's A-Major Mass. Repr. from Bach, xxi/3 (1990), pp. 30-43.	[ce]BaroqueComposers			2011	385-398
	24.	Marshall, Robert L.	Bach the Progressive: Observations on His Later Works. Repr. from Musical Quarterly, lxii/3 (1976), pp. 313-357.	[ce]BaroqueComposers			2011	399-443
	25.	Neumann, Frederick	Bach: Progressive or Conservative and the Authorship of the Goldberg Aria. Repr. from Musical Quarterly, lxxi/3 (1985), pp. 281-294.	[ce]BaroqueComposers			2011	445-458
	26.	Marshall, Robert L.	Postscript [to 'Bach the Progressive'] Repr. from The Music of Johann Sebastian Bach. The Sources, The Style, The Significance, New York: Schirmer Books (1989), pp. 54-58.	[ce]BaroqueComposers			2011	459-463
	27.	Tomita, Yo	Psalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration. Repr. from Bach, xxxii/1 (2001), pp. 17-43.	[ce]BaroqueComposers			2011	465-491
	28.	Dürr, Alfred	Performance practice of Bach's cantatas: Original performance material; original rehearsals; original performance forces; original performance style, conclusions for modern performance. Repr. from American Choral Review, xxix/3-4 (1987), pp. 27-34.	[ce]BaroqueComposers			2011	495-502
	29.	Rifkin, Joshua	Bach's Chorus: A preliminary report. Repr. from Musical Times, cxxiii/1677 (1982), pp. 747-754.	[ce]BaroqueComposers			2011	503-509
	30.	Rasch, Rudolf	Does 'Well-Tempered' mean 'Equal-Tempered'? Repr. from Peter Williams (ed.), Bach, Handel, Scarlatti Tercentenary Essays. Cambridge: Cambridge University Press (1985), pp. 293-310.	[ce]BaroqueComposers			2011	511-528
	31.	Neumann, Frederick	Some Performance Problems of Bach's Unaccompanied Violin and Cello Works. Repr. from Mary Ann Parker (ed.), Eighteenth-Century Music in Theory and Practice: Essays in Honor of Alfred Mann, Stuyvesant: Pendragon Press (1994), pp. 19-46.	[ce]BaroqueComposers			2011	529-558
	32.	Tomita, Yo	Introduction.	[ce]BaroqueComposers			2011	xv-xxxvii
	33.	Tomita, Yo (ed.)	Bach. Farnham: Ashgate Publishing, 2011. xxxvii, 574p. ISBN: 978-0-7546-2891-0. (= The Baroque Composers, Series Editor: David Ledbetter)	[ce]BaroqueComposers			2011	xxxvii, 574p